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Blog
I regularly blog about various topics relating to music theory and aural skills
October 1, 2024
Transcultural music theory: ideas, opportunities, challenges
Transculturality
Transculturation
Diversity/inclusivity
German higher education
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May 28, 2024
The racists are among us
Diversity/inclusivity
Racism of the classical concert audience
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August 24, 2023
Thoughts on transcultural music theory
Transcultural music theory
German higher education
Diversity/inclusivity
Ostinato
Basso ostinato
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April 21, 2022
An interview with Professor Alexander Silbiger
Music theory
Musicology
Widening access
Improvisation
Chaconne
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March 19, 2022
GMTH International Music Theory Lectures to be launched on 25 April 2022
GMTH International Music Theory Lectures
Music analysis
Music theory
Widening access
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July 5, 2021
Imitative counterpoint on a ground-bass (summer conferences 2021)
English Baroque music
Ground bass
Basso ostinato
Imitative counterpoint
Analysis of early music
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May 15, 2021
Farinel’s Ground – Article on the 'folia' in England
English Baroque music
Ground bass
Folia
Farinel's Ground
Analysis of early music
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April 12, 2021
Digital teaching of music theory worldwide
Digital music theory teaching
German higher education
Widening access
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March 29, 2021
Scriabin (2): Tonal implications and desire for resolution in “Caresse dansée” op. 57/2
Post-tonal
Harmonic implications
Chord and function
Falling fifths sequence
Theory of desire
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December 21, 2020
Tonal implications and desire for resolution in Scriabin’s late works
Post-tonal
Chord and function
Harmonic analysis
Harmonic implications
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August 7, 2020
Conference paper announcement
English Baroque music
Ground bass
Folia
Popular songs
Broadside ballads
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June 7, 2020
Diversity in Music Theory: a discussion
Music Theory as a discipline
Diversity/inclusivity
Institutional bias
Methodological bias
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May 19, 2020
Composers vs. theorists? Is chord viiº6 a dominant 7th lacking the root?
Baroque harmony
Historically-informed analysis
Figured bass
Rule of the Octave
Chord and function
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May 2, 2020
Quiz: Hearing modes in Bartók
Aural skills
Aural analysis
Ostinato
Post-tonal
Scales/modes
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April 21, 2020
Satie and the ubiquity of his ‘Gymnopédie no. 1’ on ‘Relaxing Classical’ playlists
Post-tonal
Emotionless
L'art pour l'art
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March 31, 2020
Beethoven and the chromatically-descending tetrachord
Classical harmony
Harmonic analysis
Roman numeral analysis
Lament bass
Chromatically-descending tetrachord
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March 19, 2020
Suspensions in Baroque cadences (an example from Gottfried Keller)
Cadence
Suspension
Baroque harmony
Figured bass
Counterpoint
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For more information about my qualifications and experience
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